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What drew me in

  • Photography: The silence, the storytelling, the way a frame can freeze time.
  • Casinos: The noise, the stories that unfold at every table, the raw drama of risk.

One gave me patience. The other, adrenaline. I never had to choose between them. I just kept saying yes to both.

What I shoot in casinos

  • Portraits of players: joy, loss, determination etched in real-time
  • Details: hands on chips, worn dice, lipstick on cocktail glasses
  • Spaces: the quiet before doors open, the chaos of midnight wins

Casinos are like unscripted theatres. The emotions are real, the stakes are high, and the lighting? Deliciously moody.

My gear setup

  • Camera: Leica Q2 for discretion and speed
  • Lens: 28mm wide-angle—perfect for context without intrusion
  • Settings: Manual always. Casinos mess with auto like no other place.
  • Extras: A poker face helps. So does knowing when to put the camera down.

Sometimes, the best shot is the one you never take.

Games I love

  • Blackjack – Strategy with rhythm
  • Craps – Energy and chaos
  • Video Poker – Quiet, steady, oddly calming

I don’t play to escape. I play to feel. To sit in uncertainty and make decisions with imperfect information. Sounds a lot like photography, doesn’t it?

Some people collect stamps. Others climb mountains. Me? I split my heart between two pulse-racing passions: photography and gambling. On the surface, they may seem worlds apart—one about capturing moments, the other about chasing them. But for me, the camera and the casino have always shared the same thrill: risk, intuition, and the beauty of the unexpected.

Let me take you inside the double life of a shutterbug who’s just as comfortable at the blackjack table as behind the viewfinder.

I wasn’t born into either world. My first camera came from a flea market. My first casino experience? A Vegas road trip that was supposed to be “just for fun.” Neither was planned. Both changed my life.

Most people don't think of a casino as beautiful. But step inside one at 3 a.m. and tell me it doesn’t feel cinematic. The flicker of neon on a player’s face. The hushed prayer before a roulette spin. Dealers shuffling cards with the grace of ballet dancers.

Capturing this world isn’t easy. You don’t just walk into a casino with a DSLR and start clicking. Over time, I’ve learned how to be invisible—how to wait, watch, and feel the moment before it arrives.

Yes, I gamble. I love it. But not for the reasons most assume. I don’t chase jackpots or go all-in on hope. I treat the casino like I treat a photo shoot: with focus, control, and deep respect for timing.

Lessons from the Floor and the Frame

Living between these two worlds has taught me things you don’t learn in school. Whether it’s capturing a fleeting expression or knowing when to walk away from a cold table, there’s poetry in both crafts.

What I’ve learned:

  • Wait for your moment—in light and in life
  • Trust your gut—especially when everyone says otherwise
  • Don’t flinch at loss—sometimes it leads to the best shot
  • Stay curious—every table, like every person, has a story

My Jackpot Is the Journey

I’ll never be just a photographer. Or just a gambler. And I don’t want to be. These worlds feed each other in ways I never expected. My camera keeps me grounded. The casino keeps me sharp. Together, they remind me why I fell in love with both: because life is never still, and luck favors those who see clearly.

So here I am—Melanie Osorio. I shoot with heart, I bet with brains, and I live for the blur between shadow and spotlight.

Contact Me
  • [email protected]